Waves from Random Selector Version 1.0
TI #9 — Floppie's Grotesk Typeface (Type Item #9) CHF 20.–
(available on demand) email@example.com
International Nihilist Typeface (available for free) Here
Klarheit Grotesk Family — 16 Cuts / 10 sets (Webfonts included)
CHF 650.– Full Family / CHF 70.– per cuts + CHF 30.– related Italic
(Trials available on demand) firstname.lastname@example.org
SG Vox Custom Typeface for Saint Gervais Genève
Nein (Beta) — 1 Cut / 2 Stylistic sets / 230 Glyphs CHF 40.–
(available on demand) email@example.com
Klarheit Grotesk Family — 16 Cuts (Webfonts included)
CHF 500.– Full Family / CHF 70.– per cuts + CHF 30.– related Italic
(Trials available on demand) firstname.lastname@example.org
Graphic Design and Cultural Diplomacy, Research day and conferences at HEAD–Geneva — Flyer 2019
Ruth Childs (Scarlett's) — Website 2019, ruthchilds.com. Design in collaboration with Matteo Venet. Programming by Kikko Paradela — youvsjesus.com
Bourses Déliées 2019, FCAC Fonds Cantonal d'Art Contemporain / HEAD–Genève — Brochures, Signage 2019
Arcoop Wall Project Festival, 16 Jours de Photographie — Identity, Exhibition Catalogue, Posters, Flyers and Website 2019. www.arcoopwallproject.ch. Design in collaboration with Matteo Venet
Junior Design Research Conference at HEAD–Geneva — Identity 2018
St-Gervais Genève Theater — Posters, Brochures, Website 2018/2020 www.saintgervais.ch. Design in collaboration with Matteo Venet
Figures mobiles, une anthropologie du smartphone PhD Thesis by Nicolas Nova — Book 2018
Après-midi de la recherche du Domaine Design et Arts Visuels Research afternoon at HEAD–Geneva — Identity + Signage 2018
Narratives of a Near Future Research Conference, Symposium at HEAD–Geneva — Identity 2017
Z1 Studio — Identity 2017
Type Item #8 Taxonomie — Posters, Book, Tools, Merchandizing 2017
HEAD–Genève Issue #34 — Booklet 2017
Type Item #7 Seven Deadly Sins — Paper 2017
Type Item #6 Typographische Monatsblätter (TM). Collaborative works about an exercise on Typographische Monatsblätter. Typography class with students from CFP Arts Geneva — Education 2017.
Ultra Plume — Paper 2016
Type Item #5 CNC 6090 vs. Original Heidelberg GTO Cylinder — Posters 2016
À ce soir — Book 2016
Type Item #4 Toner Trash TN 2010 (Printed parts with a rusted and trashed Brother lazer toner) — Posters 2016
Man or Astroman? Amazing Thrills Opus 01 / The most dreaded of them all — Book, Poster 2016
Type Item #3 Solutions to Problem (All typographic parts printed in letterpress) — Guide 2016
How to Pirate a Vinyl Record — Poster, Issue 2016
Neue #00 (Pilot) Bourse de la Ville de Genève, Centre d’Art Contemporain Geneva — Research Revue, Exhibition 2015.
Noir sur Noir — Identity 2015
Type Item #1 — Paper 2015
We currently do not offer internships or job positions, thank you for your comprehension.
× Idea Magazine #388 Form Swiss #3
Futur Neue interview about swiss graphic design in the swiss French linguistic region. www.idea-magazine.com
× Neshan Magazine #45 Design And Education
And you, what are you teaching in your classes? My open questions to the actors of our next visual landscapes. Essay by Alex Dujet on education. www.neshanmagazine.com
× Graphic Design Scotland International Poster Competition
Posters Narratives of a Near Future Research Conference at HEAD–Geneva and two posters for the theater St-Gervais Genève (designed in collaboration with Matteo Venet) exhibited in the final stage of the competition in Glasgow 2018 + Interview in the catalogue exhibition about poster design approach. www.graphicdesign-festivalscotland.com
× 100 Beste Plakate 17 D A CH
Type Item #8—Taxonomie Posters Series Winner at 100 Beste Plakate 17 D A CH Competition. Posters publicated in the catalogue exhibition and exhibited in different european cities such as Berlin (main opening), Vienna, Luzern, Lausanne, Geneva. www.100-beste-plakate.de also exhibited in 2018 at Weltformat www.weltformat-festival.ch
× Print Program #7 — Printheads
Print Program #7, an exhibition in collaboration with HEAD–Genève in the frame of Design Days about a selection of printed projects made by alumnis from HEAD–Genève, curated by Neo Neo. www.print-program.ch
× Swiss Style Now Exhibition
Swiss Style Now Exhibition at Cooper Union, 41 Cooper Gallery, New York. An exhibition about contemporary swiss graphic design, curated by Xavier Erni, Noel Leu and Erich Brechbühl. www.cooper.edu
× Norden, Soirée Graphic No, 9
Norden, Soirée Graphic No, 9, Bern. Poster exhibition mixing graphic design and photography, curated by Komet. www.soiree-graphique.ch
× Print Program #4 — Specimen Exhibition
Print Program #4, Geneva. Exhibition about type design that especially focused on specimen, curated by Neo Neo. www.print-program.ch
× Swiss Made Exhibition
Swiss Made, St Petersburg. Exhibition about contemporary swiss graphic design, curated by Projector Magazine and supported by Pro Helvetia. www.projector.media
× Bourses de la Ville de Genève
Exhibition of “Neue Revue” at Centre d’Art Contemporain (Geneva), a self-initiated project by Futur Neue about references in the swiss graphic design landscape.
× Form Magazine #253
Alex Dujet interviewed in “Form Magazine” as young Geneva based swiss graphic designer. www.form.de
× Type Only Book, Unit Editions
Through the work of around 100 graphic designers from around the world, Type Only explores the communicative and emotive power of type when used in isolation. www.uniteditions.com — typeonly.tumblr.com
× Werkschau Augsburg Book
Interview in “Werkschau Book”, regarding the influence of young creatives in the graphic design market. www.werkschau.hs-augsburg.de
× Panorama Brochure
Selection of works made in 2011 for the exhibitions Panorama I & II, curated by Schönherwehrs. centre.ch/panorama
× Panorama II
Schönherwehrs invites spectators at Museum für Gestaltung Zürich to explore the graphic design landscape of Western Switzerland. 09/02—09/03/2012. www.centre.ch/panorama
× Panorama I
Schönherwehrs invites spectators at the Centre d’Art Contemporain Geneva for an exhibition about the graphic design landscape of western Switzerland. 05/03—26/06/2011. www.centre.ch/panorama
Current Research Position
Doctoral Researcher (Constance Delamadeleine) within the framework of the “Swiss Graphic Design and Typography Revisited” started in October 2016, and supported by the Swiss National Science Foundation within the Synergia program.
× The Success Story of Swiss Graphic Design
Jerusalem YMCA, 03/12/2019
× « Les Suisses de Paris » or the Making of a Parisian Switzerland
Junior Research Conference, HEAD–Genève, 14/11/2018
× The Business Face of Swiss Graphic Design
The Case of Studio Hollenstein (1957-1974), Swiss graphic design and typography Revisited SNF Research project, at ZHdK, Zurich, 05/05/2018 and at International Committee of Design History and Design Studies (ICDHS), Barcelona, 29—31/09/2018
× Today’s Manifesto Conference at Comunicar Design 2018
Conference at ESAD Caldas de Rainha (Portugal) about philosophical graphic design approaches. 22—24/05/2018 www.cod.ipleiria.pt
× The Business Face of Swiss Graphic Design: The Case of Studio Hollenstein (1957-1974)
International Committee of Design History and Design Studies (ICDHS), Proceedings, 2018.
× Contributions to books
Delamadeleine, C. (2015). The last fifty years of graphic design in French speaking Switzerland: a status report, in: R. Lzicar, D. Fornari (eds.), Mapping Graphic Design History in Switzerland (in press).
× Summary articles
Delamadeleine, C. (2015). Les affiches du Secours suisse d’hiver (1936-2011): 75 ans de tradition. www.globalwarning.ch (in press).
× Today’s Manifesto Workshop at Comunicar Design 2018
Workshop with students of ESAD Caldas de Rainha (Portugal) about philosophical graphic design approaches. A publication that gathers different statements has been created as outcome of the students researches during the workshop www.cod.ipleiria.pt
× Mapping References, Workshops Tour
Since 2014, Ernst organizes a nomadic workshop tour titled “Mapping References” every year in a different country in order to bring together graphic designer, students and teacher who address different themes such as cultural identity, traditions through the graphic design spectre. The purpose of this project is to share knowledge, ideas, practices and approaches of the discipline in order to build intercultural understanding, enhance its own graphic traditions and specially to strengthen cultural diversity.
We initiated the first workshop during the Graphic design Biennale in Brno in September 2014 with a group of students from the Royal Academy of Art, The Hague (see below). The format of the workshop will be offered in a number of schools and colleges of applied arts. The results will then be valued in a touring exhibition.
× Workshop #2: LEBANON
The forthcoming had to take place in Holy Spirit University of Kaslik. (Workshop canceled).
× Workshop #1: CZECH REPUBLIC
Brno, 26th International Biennal of Graphic Design 19th September, 2014. www.27.bienalebrno.org
We initiated the first Workshop with a group of students from The Hague Royal Academy of Art with the following issue: Designers consciously or unconsciously base their work on references. These can be historic (archives) or contemporary (environment), and can come from varied fields such as music, cinema, literature etc.) What are these references? How do we (designers) translate them into our work? What kind of references do we use in our practice? How do we use and map our references? The aim of the workshop is to identify, understand, explain, link and “map” our references. Based on a guideline (some interesting starting points), every participant will think, list, research everything that he usually uses as references in his work, creating a large map of images, texts, ideas.
× Western swiss graphic design*
The body of knowledge about graphic design produced in French or italian speaking Switzerland is reduced compared to the German Swiss one. Indeed, the published literature has heavily focused on the latter since it was in that part of the country that schools, institutions, magazines and creations that have marked history were developed. Consequently, this model of design history has contributed to overlook people and artefacts made in other regions of Switzerland. *funded by the Design and visual arts network of competences (RCDAV) of the University of Applied Sciences of Western Switzerland (HES SO), held at Geneva University of Art and Design (HEAD – Genève), by a research team composed of Jérôme Baratelli (project leader), Constance Delamadeleine (research assistant), Ann Griffin, Stéphane Hernandez, Gregor Schönborn, and Niels Wehrspann (graphic designers).
Bat 43 c/o Sigmasix
Rte des Acacias 43 CH 1227 — Geneva / Map
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Member of SGV
Schweizer Graphiker Verband
Union Suisse des Graphistes
Unione Svizzera dei Grafici
Swiss Graphic Design Association