© Futur Neue — 2018


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Terraform (Project Infinity) — Polymer Aera 2018

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Junior Design Research Conference
Symposium at HEAD–Geneva — Identity 2018

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St-Gervais Genève Theater — Season 18/19 Posters 2018
Design in collaboration with Matteo Venet

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EEVIAC IV — Drawing Tool 2018

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St-Gervais Genève Theater — Website 2018
Design in collaboration with Matteo Venet www.saintgervais.ch

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St-Gervais Genève Theater — Season 18/19 Brochure 2018
Design in collaboration with Matteo Venet

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Today’s Manifesto Workshop and Conference at Comunicar Design.
ESAD Caldas de Rainha (PT) — Publication 2018

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Today’s Manifesto Workshop and Conference at Comunicar Design.
ESAD Caldas de Rainha (PT) — Outcomes Strip and Talk 2018

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Après-midi de la recherche du Domaine Design et Arts Visuels
Research afternoon at HEAD–Geneva — Identity 2018

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Figures mobiles, une anthropologie du smartphone
PhD Thesis by Nicolas Nova — Book 2018

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Narratives of a Near Future Research Conference
Symposium at HEAD–Geneva — Identity 2017

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Floppies Grotesk — Specimen Sample 2017

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Z1 Studio — Identity 2017

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Type Item #8 Taxonomie — Book 2017

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Type Item #8 — Promo Poster 2017.
Winner at 100 Best Posters 2017 D A CH (Germany, Austria, Switzerland)

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Noir sur Noir Print Test 01 — Slab 2017

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Type Item #8 International Nihilist — Slab 2017

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Type Item #8 — Experimental Posters 2017
Winner at 100 Best Posters 2017 D A CH (Germany, Austria, Switzerland)

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Type Item #8 Eeviac I — Tools 2017

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Type Item T-Shirts — Merchandizing 2017
Type Item Promo T-Shirt + Type Item International Nihilist T-Shirt

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Type Item Thesis — Book 2017

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Type Item #7 Seven Deadly Sins — Paper 2017

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HEAD Issue #34 — Issue 2017

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Type Item #6 Typographische Monatsblätter (TM) — Education 2017
Collaborative works about an exercise on Typographische Monatsblätter (TM) covers.
Typography class with students from CFP Arts Geneva — facebook.com/typeitem

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Bio Top 700 — Book 2017

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Armando, The New World Order — Vinyl + Poster 2017
Entercourse of the New Age exhibition, Paris

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Ezekiel Offline — T-shirt 2016

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Ultra Plume — Paper 2016

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Type Item #5 CNC 6090 w/ Original Heidelberg GTO Cylinder, Posters 2016

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Norden, Soirée Graphique No. 9 — Poster 2016
Poster designed from a photograph called Red House
by Markus Henttonen
www.soiree-graphique.ch

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À ce soir, Musée Imaginaire — Book 2016

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Symphony #7, 1 Slab and 3 Colors — Wood 2016

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Type Item #4 Toner Trash TN 2010 — Posters 2016
Printed parts with a rusted and trashed Brother lazer toner

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Type Item #3 Solutions to Problem — Guide 2016
All typographic parts printed in letterpress

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Man or Astroman? — Book 2016

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Man or Astroman? — Poster 2016

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Slanted Mirror — Eau-forte 2016

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How to Pirate a Vinyl Record — Issue 2016

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How to Pirate a Vinyl Record — Poster 2016

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Neue #00 (Pilot) Exhibition — Research Revue 2015
Bourse de la Ville de Genève, Centre d'Art Contemporain Geneva

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Neue #00 (Pilot) — Research Revue 2015

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Noir sur Noir — Identity 2015

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Futur Neue Paper + Font Specimen, Opening 2015

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Sigmasix — Website 2015 / Programming by Kikko Paradela
sigmasix.chyouvsjesus.com

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Type Item #1 — Paper 2015 / facebook.com/typeitem

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Ezekiel — Merchandizing + Mini Movie 2014
See the movie instagram.com/ezekielclothingezekielusa.com

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Mix Model Management — Identity 2012
Work in collaboration with Base Design NYC
mixmodelmanagement.com

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2/3 Website — 2012
deuxsurtrois.ch

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2/3 The Red Factory — Report Activity 2012
See the movie deuxsurtrois.ch/theredfactory.mp4

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Topologie(s) — Identity 2012

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Fonderie Kugler Philippe Gindre Vernissage — Poster 2012

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Fonderie Kugler CENC Residence — Poster 2012

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2/3 Caravelle — Report Activity + Flyer 2011

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HEAD Issue #19 — Issue 2012

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Fonderie Kugler Season 1 — Poster 2011







Informations


Futur Neue is an independent, Geneva-based, graphic design and research design studio, founded by Constance Delamadeleine, Alex Dujet and Sébastien Mathys. The Studio covers works in all areas of print and interactive design. We make editorial design, brand identities, websites, research design, signage and typefaces for cultural institutions, businesses and individuals.

Schweizer Graphiker Verband
Unione Svizzera dei Grafici
Union Suisse des Graphistes
www.sgv.ch

Publications / Exhibitions


× Graphic Design Scotland International Poster Competition
Posters Narratives of a Near Future Research Conference at HEAD–Geneva and two posters for the theater St-Gervais Genève (designed in collaboration with Matteo Venet) exhibited in the final stage of the competition in Glasgow 2018 + Interview in the catalogue exhibition about poster design approach. www.graphicdesignfestivalscotland.com

× 100 Beste Plakate 17 D A CH
Type Item #8—Taxonomie Posters Series Winner at 100 Beste Plakate 17 D A CH Competition. Posters publicated in the catalogue exhibition and exhibited in different european cities such as Berlin (main opening), Vienna, Luzern, Lausanne, Geneva. www.100-beste-plakate.de also exhibited in 2018 at Weltformat www.weltformat-festival.ch

× Print Program #7 — Printheads
Print Program #7, an exhibition in collaboration with HEAD–Genève in the frame of Design Days about a selection of printed projects made by alumnis from HEAD–Genève, curated by Neo Neo. www.print-program.ch

× Swiss Style Now Exhibition
Swiss Style Now Exhibition at Cooper Union, 41 Cooper Gallery, New York. An exhibition about contemporary swiss graphic design, curated by Xavier Erni, Noel Leu and Erich Brechbühl. www.cooper.edu

× Norden, Soirée Graphic No, 9
Norden, Soirée Graphic No, 9, Bern. Poster exhibition mixing graphic design and photography, curated by Komet. www.soiree-graphique.ch

× Print Program #4 — Specimen Exhibition
Print Program #4, Geneva. Exhibition about type design that especially focused on specimen, curated by Neo Neo. www.print-program.ch

× Swiss Made Exhibition
Swiss Made, St Petersburg. Exhibition about contemporary swiss graphic design, curated by Projector Magazine and supported by Pro Helvetia. www.projector.media

× Bourses de la Ville de Genève
Exhibition of “Neue Revue” at Centre d’Art Contemporain (Geneva), a self-initiated project by Futur Neue about references in the swiss graphic design landscape.

× Form Magazine #253
Alex Dujet interviewed in “Form Magazine” as young Geneva based swiss graphic designer. www.form.de

× Type Only Book, Unit Editions
Through the work of around 100 graphic designers from around the world, Type Only explores the communicative and emotive power of type when used in isolation. www.uniteditions.comtypeonly.tumblr.com

× Werkschau Augsburg Book
Interview in “Werkschau Book”, regarding the influence of young creatives in the graphic design market. www.werkschau.hs-augsburg.de

× Panorama Brochure
Selection of works made in 2011 for the exhibitions Panorama I & II, curated by Schönherwehrs. centre.ch/panorama

× Panorama II
Schönherwehrs invites spectators at Museum für Gestaltung Zürich to explore the graphic design landscape of Western Switzerland. 09/02—09/03/2012. www.centre.ch/panorama

× Panorama I
Schönherwehrs invites spectators at the Centre d’Art Contemporain Geneva for an exhibition about the graphic design landscape of western Switzerland. 05/03—26/06/2011. www.centre.ch/panorama




Current Research Position

(Constance Delamadeleine)


Doctoral Researcher within the framework of the “Swiss Graphic Design and Typography Revisited” started in October 2016, and supported by the Swiss National Science Foundation within the Synergia program. www.sgdtr.ch


Conferences/Talks


× « Les Suisses de Paris » or the Making of a Parisian Switzerland
Junior Research Conference, HEAD–Genève, 14/11/2018

× The Business Face of Swiss Graphic Design
The Case of Studio Hollenstein (1957-1974), Swiss graphic design and typography Revisited SNF Research project, at ZHdK, Zurich, 05/05/2018 and at International Committee of Design History and Design Studies (ICDHS), Barcelona, 29—31/09/2018

× Today’s Manifesto Conference at Comunicar Design 2018
Conference at ESAD Caldas de Rainha (Portugal) about philosophical graphic design approaches. 22—24/05/2018 www.cod.ipleiria.pt


Research Publications


× The Business Face of Swiss Graphic Design: The Case of Studio Hollenstein (1957-1974)
International Committee of Design History and Design Studies (ICDHS), Proceedings, 2018.

× Contributions to books
Delamadeleine, C. (2015). The last fifty years of graphic design in French speaking Switzerland: a status report, in: R. Lzicar, D. Fornari (eds.), Mapping Graphic Design History in Switzerland (in press).

× Summary articles
Delamadeleine, C. (2015). Les affiches du Secours suisse d’hiver (1936-2011): 75 ans de tradition. www.globalwarning.ch (in press).



Workshops/Research projects


× Today’s Manifesto Workshop at Comunicar Design 2018
Workshop with students of ESAD Caldas de Rainha (Portugal) about philosophical graphic design approaches. A publication that gathers different statements has been created as outcome of the students researches during the workshop www.cod.ipleiria.pt

× Mapping References, Workshops Tour
Since 2014, Ernst organizes a nomadic workshop tour titled “Mapping References” every year in a different country in order to bring together graphic designer, students and teacher who address different themes such as cultural identity, traditions through the graphic design spectre. The purpose of this project is to share knowledge, ideas, practices and approaches of the discipline in order to build intercultural understanding, enhance its own graphic traditions and specially to strengthen cultural diversity.

We initiated the first workshop during the Graphic design Biennale in Brno in September 2014 with a group of students from the Royal Academy of Art, The Hague (see below).

The format of the workshop will be offered in a number of schools and colleges of applied arts. The results will then be valued in a touring exhibition.

× Workshop #2: LEBANON
The forthcoming will take place in Holy Spirit University of Kaslik. More information are coming soon.

× Workshop #1: CZECH REPUBLIC
Brno, 26th International Biennal of Graphic Design 19th September, 2014. www.27.bienalebrno.org

We initated the first Workshop with a group of students from The Hague Royal Academy of Art with the following issue: Designers consciously or unconsciously base their work on references. These can be historic (archives) or contemporary (environment), and can come from varied fields such as music, cinema, literature etc.) What are these references? How do we (designers) translate them into our work? What kind of references do we use in our practice? How do we use and map our references? The aim of the workshop is to identify, understand, explain, link and “map” our references. Based on a guideline (some interesting starting points), every participant will think, list, research everything that he usually uses as references in his work, creating a large map of images, texts, ideas.

× Western swiss graphic design*
The body of knowledge about graphic design produced in French or italian speaking Switzerland is reduced compared to the German Swiss one. Indeed, the published literature has heavily focused on the latter since it was in that part of the country that schools, institutions, magazines and creations that have marked history were developed. Consequently, this model of design history has contributed to overlook people and artefacts made in other regions of Switzerland. *funded by the Design and visual arts network of competences (RCDAV) of the University of Applied Sciences of Western Switzerland (HES SO), held at Geneva University of Art and Design (HEAD – Genève), by a research team composed of Jérôme Baratelli (project leader), Constance Delamadeleine (research assistant), Ann Griffin, Stéphane Hernandez, Gregor Schönborn, and Niels Wehrspann (graphic designers).









Contact


Bat 43 c/o Sigmasix, Rte des Acacias 43 CH 1227 — Geneva / Map
+ 41 77 429 01 05 t – type@futurneue.cc

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